Marine Court, St. Leonards-on-Sea, TN38

Property number 53778. Enquire through Rightmove's messaging system and we'll respond within 5 minutes, 24/7.

British Modernism moors in Punta del Este

The flat, see, is a pure vertical escape from the high-street demographic—from the sub-

prime, semi-detached, mortgage-strangled mindsets who view real estate as a nesting box

rather than an aggressive curation of space.

Let the suburban uniformity fade into its pebble-dash cul-de-sacs. We are up here on the fifth

floor, suspended in mid-air inside a steel-framed, interwar cruise liner that refuses to

capsize. You are living in a structural manifesto. Marine Court doesn’t just sit on the

promenade; it glares out at the Channel, its white functionalist ribbing permanently

locked in a staring match with the Atlantic shelf.

And the interior? It’s a total aesthetic hit. A monochromatic, deep-saturation *Lobster*

blue by Christopher John Rogers that completely swallows the ceiling and the walls,

turning the raw coastal light into a high-art installation. When you stand at the far edge

of that sprawling, seven-metre ocean salon, you aren't looking at a view—you are

dominating the horizon.

No chains. No lengthy bank valuations. £145,000—cash only and priced for a fast sale.

If a design purist wants to own a pristine collector’s piece of international-style

functionalism, they pay the entrance fee. If not, they can fall back on the predictable and purchase a generic white box.

The Plan & Provenance

• The 5th Floor Vault: Entirely re-plastered with the main rooms wrapped in

saturated colour blocks from fashion designer Christopher John Rogers’

collection for Farrow & Ball. All switches and sockets are polished chrome toggle

units by the Soho Lighting Company.

• The Entry: Whitewashed walls as a transit zone. A single, vintage Charlotte

Perriand wall light anchors the geometry upon entry. Beneath your feet, original

1930s pitch pine floorboards run straight toward the kitchen's parquet flooring,

stained the colour of solid ebony.

• The Ocean Salon: A linear expanse measuring over seven metres in length—a

grand scale entirely unique among the building's single-bedroom blueprints.

Planning-approved, warrantied south-facing new double glazing provides total

insulation from the promenade acoustics. A minimal track of five adjustable

architectural spotlights lines the ceiling, explicitly engineered to pin fine artwork

to the wall.

• The Epicurean Lab: Positioned to the rear of the plan with a north-facing window

framing the structural rhythm of East Ascent. Features free-standing

contemporary stainless steel utility fittings balanced against preserved 1950s

painted wooden cabinets and original 1930s vitrified wall tiling. Illuminated by

Bauhaus style globe fixtures.

• The Sanctuary: The bedroom features wall and ceiling lights designed by the

celebrated Italian architect Michele de Lucchi. Original 1930s built-in wardrobes,

handles, and decorative pelmets have been refurbished to retain their character,

sitting alongside an original copper thermostat and heating.

• The Wet Room: Stripped back to a gallery baseline of clean white, balancing

preservation and utility. The original 1930s cast iron bath, panel, and wall tiling

have been forensically restored. Features a premium basin and WC by Fired

Earth, with the basin set against bespoke slabs of rich Verona red marble. A

historic towel rail runs constantly off the building's communal hot water loop,

maintaining permanent ambient heat. Current electricity bills default to a

negligible £35 a month.

The Block Overhead

Marine Court operates with a heavy, uncompromising service infrastructure block

(£9,118 per annum, half of which is currently being funnelled directly into the collective

structural major works fund).

For that, the perimeter is completely guarded:

• A 24-hour uniformed concierge

• Lifts and step free access

• Constant communal hot water mains

• A daily porterage loop that removes refuse straight from your threshold

• CCTV throughout the building